세계민속음악 및 악기쇼핑몰

>> 카발(3절)

제품번호: T-Kaval

제작사: Y.D

아티스트:

원산지: 터키

재고유무: 유

판매단가: 90,000원

구매수량:

개

카발(Kaval) : 3부분으로 분리될 수 있는 터키산 카발

터키,불가리아, 마케도니아등 발칸지역의 오래된 민속악기로 전면 7개의 지공, 후면 1개의 지공으로 구성되어 있다.

* 관악기 비전공자나 초보자들에게는 소리내기가 어려워 좌절감을 느낄 정도로 황당(frustrating)하므로 추천하지 않습니다.^^

* 재질 : 목재

* 사이즈 : 63.5*3.3cm

* 케이스 있음

* The kaval is a very old folk flute from the Balkans, notably Bulgaria, Macedonia, and Turkey. It is an end-blown flute with eight finger holes. An end-blown flute is one which has no windway or fipple on the end you blow into, but it is just a straight hollow tube. You can look right through the thing like a spyglass. A tone is created by blowing across the sharpened edge of the mouthpiece. This takes quite a bit of practice to get the correct embouchure, and makes the instrument very frustrating for the beginning student.

* Kaval Fingering

The kaval is usually played with the left hand operating the top holes (closest to the mouthpiece) and the right hand operating the lower holes. The left thumb covers the single hole on the back of the instrument, and the next three fingers cover the top three holes on the front. The left little finger is not used. The right hand covers the next four holes, with the right thumb supporting the kaval in back, and the right little finger covering the lowest hole. The holes and fingers are numbered from 1 (left thumb) down to 8 (right pinkie). Finger Position The way the fingers cover the holes is important to proper playing and ornamentation. The middle flat parts of the fingers (the second phalanges) are used on all holes, rather than the finger tips, except for holes 4 and 8. The left thumb covers its hole on the side of the pad near the outer joint. This position allows the hands to be relaxed with the fingers nearly straight. Typical Bulgarian Thracian playing style uses this position to produce many of the characteristic ornaments, such as vibrato (done entirely with the fingers), fast grace notes, and glissando. Registers The charts included here show that the same finger pattern produces up to three different notes, depending basically on how hard the stream of air is blown across the mouthpiece. By blowing very softly, the lowest, or "first", or "fundamental" register sounds. Blowing a little harder or with more focus causes the second register to sound, an octave above the first. Blowing harder still produces the third register, a perfect fifth above the second register. And finally, with the most intense blowing (and some special fingerings), the highest register is obtained, essentially an octave above the second register. Most tunes are played in the second and third registers, and changing between them becomes intuitive and easy even for beginners. The fourth register is used occasionally for the highest and sometimes most dramatic parts of a melody. However, notes above a3 are rarely used, and are very difficult to sound. Some kavals require different fingerings than those shown to play the highest notes, and some kavals may not be able to sound them at all.

Kaba

The low first register is also infrequently used, except for occasional "drop notes." However, a special multiphonic mode where both the first and second registers sound at the same time is frequently used, and it is called "kaba" (kah-BAH). Kaba sounds like a reedy first register -- similar to a clarinet, but softer. Performing it requires much practice on the part of the player, and it is very expressive. The techniques for producing kaba are difficult to explain, but basically a soft air stream is blown across the mouthpiece, but with a certain kind of focus or a modified embouchure which produces the effect.

* 배송료 안내- 5만원 이상은 무료, 5만원 미만은 배송료(제주도 등 도서지방 제외) 4,000원